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Caroline Clifford's avatar

It was real fun having you at das, I hope you come back every year! The lady at the bakery has refused to comment. I had some improv writing ideas inspired by seeing real pros do improv at das.

1. What do you do when you don't like an offer someone has given you because it's too crazy, not necessarily problematic or anything, they're just heightening too soon. Yes and the shit out of it? Or modify it to fit the base reality? I feel I kind of block offers that are annoying.

2. A difference I noticed watching teams like The Bozos is that you never seem rushed or panicked, is that just experience? I notice I rush stuff more, kind of panicking I won't get a good idea out or I'm gonna get tagged out.

Thanks!

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Otto Akin's avatar

For years people have acted as if the Harold was the ultimate training tool, the barbell squat of the gym.

I think it's probably more of a bench press, impressive compound movement but not foundational.

Armando/asscat is more like the big game for the crowd. Likely the most entertaining even if it's not theory perfect.

Short form is isolation exercises, if you do those a lot you will be better at a full performance but it's accessories. But some strong biceps can carry a show home.

What is the true foundational compound movement for improv? The Decon? Monoscene? Listening better, losing ego and going to therapy?

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